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Crossing Night / Hacer Noche
Exhibition 4 November 2018–5 February 2019
Installation photograph of Kemang Wa Lehulere’s sculptural installation ‘Cosmic Interluded Orbit’ from the series of offsite exhibitions ‘Crossing Night / Hacer Noche’ in Oaxaca, Mexico. At the front, black and gold statues that depicts dogs are arranged on the floor and on wooden podiums. At the back, chalk drawings on framed blackboards are hung on a blue wall.
Installation view: Crossing Night / Hacer Noche curated by Francisco Berzunza in Oaxaca, Mexico, November 4, 2018–February 5, 2019.
Title Crossing Night / Hacer Noche Dates 4 November 2018–5 February 2019 Location Offsite Tagline Contemporary art and artists from Southern Africa are invited to interact with the rich Mexican cultural context through a programme of exhibitions, residencies, publications and a conference.
Curator Francisco Berzunza
Credits

Curatorial advisors:
Josh Ginsburg
Anthea Buys

Communications:
Anthea Buys

Exhibition and communication design:
Piet Pienaar

Commissioners:
Idris Naim Foundation
National Institute of Fine Arts, Mexico

Partners:
The Alfredo Harp Helú Foundation (Mexico)
The Friends of IAGO and CFMAB Association (Mexico)
Ministry of Arts & Cultures of the State of Oaxaca (Mexico)
A4 Arts Foundation

Comprising five exhibitions, an artists’ residency programme, a community-based educational programme, and a conference, Crossing Night / Hacer Noche is the first large-scale exploration of the historical links between Southern Africa and Mexico through the lens of contemporary art.

The project looks at societal relationships to death and dying within Southern Africa and Mexico as an entry point to a broader search for shared ways of relating to history in the present in these two postcolonial regions.

The project touches on the fragility and finitude of human experience, the relationship between violence and death, the ethics of how we relate to corpses, our rituals of life, death and the afterlife, our connections with our ancestors, and how our will for form is at the last instance a will to be remembered.

Participants artists:  
Tiago Borges, Steven Cohen, Marlene Dumas, Dumile Feni, Jared Ginsburg, David Goldblatt, Georgina Gratrix, Haroon Gunn-Salie, Dan Halter, Nicholas Hlobo, Jackson Hlungwani, Pieter Hugo, William Kentridge, David Koloane, Moshekwa Langa, Kemang Wa Lehulere, Ernest Mancoba, Sabelo Mlangeni, Santu Mofokeng, Samson Mudzunga, Zanele Muholi, Simphiwe Ndzube, Antonio Ole, Athi Patra-Ruga, Jo Ractliffe, Robin Rhode, Cinga Samson, Mmakgabo Helen Sebidi, Johannes Segogela, Penny Siopis, James Webb, and Portia Zvavahera.

Venues:
Centro Cultural Santo Domingo
Centro Cultural y Académico San Pablo
Centro Fotografico Alvarez Bravo
Centro de las Artes San Agustín, Etla
Museo de Arte Prehispánico Rufino Tamayo
lnstituto de Artes Gráficas de Oaxaca (IAGO)

Installation photograph of William Kentridge’s video installation ‘More Sweetly play the Dance’ from the series of offsite exhibitions ‘Crossing Night / Hacer Noche’ in Oaxaca, Mexico. At the back, multiple videos are projected onto a gallery wall in a darkened room, with 4 metal megaphones on stands arranged at intervals in front of it. At the front, collapsable metal chairs are arranged in rows with lots of intervening space.
Crossing Night/Hacer Noche is an ambitious exhibition initiative in Oaxaca, Mexico: Contemporary art and artists from Southern Africa are invited to interact with the rich Mexican cultural context through a programme of exhibitions, residencies, publications and a conference, November 4, 2018–February 5, 2019.
Ephemera from the series of offsite exhibitions ‘Crossing Night / Hacer Noche’ in Oaxaca, Mexico. A photograph depicts a man with a trombone walking in the opening parade for the project.
Ephemera: Hay Tiempo, No Hay Tiempo curated by Jo Ractliffe and Josh Ginsburg at Centro Fotográfico Álvarez Bravo, November 9, 2018–January 31, 2019. Image courtesy of A4 Arts Foundation.
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